My primary focus lies in a meticulous exploration of the multifaceted dimensions of stereotypes, traversing the realms of politics, economics, and culture. Delving deep into this complex tapestry, I find my artistic expression serves as a poignant commentary on the prevailing notion of a "post-race" world—a concept that, in its oversimplification, tends to overlook the intricate frameworks of power and control that continue to shape our societal landscape.
Within the rich tapestry of my chosen iconography, I strategically wield satire to dismantle the illusion of a world liberated from racial considerations. My art, a deliberate deconstruction of the structural elements underpinning status and power, serves as a mirror reflecting the pervasive influence of these constructs on our contemporary existence. Through my work, I intricately weave aesthetic preferences that, rather than conforming to societal norms, scrutinize and underscore the profound ironies embedded within our industrial complex. This critical lens extends beyond the visual realm to encompass the intricate interplay between blackness, color, language, and material in our collective consciousness.
Material metaphors and satirical signifiers, carefully embedded in my oeuvre, emerge as powerful tools in the dissection of entrenched tropes of beauty and biased aesthetics. These deliberate choices act as catalysts for dialogue, inviting viewers to engage with the socio-economic frameworks that have historically thrived on perverse practices of valuation and capitalism. In this body of work, my art serves as a reflective surface, exposing the artifice inherent in systems of subjugation. It becomes a visual language that articulates the intricacies of hierarchies of freedom, compelling us to confront and question the entrenched structures that govern our perceptions.